Ophelia (art) - digital painting of a doll by Barbara Agreste

Diaries

Filmmaking

Filmmaking - With an artist a film can become a world of wonder...

Filmmaking

Barbara Agreste’s Filmmaking

In my artwork I always alternate the figure of a real woman to the one of a doll. Reptilica is a good example of it: the real woman is always appearing in fast cuts, and close ups, small parts of her body, usually feet, legs and hands are shown in the frame.

The doll on the other hand appears in her entire figure: there is a rich variety of objects that can be put beside her, and it is very easy to create a setting using miniature elements, it also becomes more interesting to to look at weird reproductions, or distorted reflections of what surrounds us, like if the film frame and what it contains became a parody of the real world.

 

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Chessboards

..Chessboards -The chessboard is a playground. Visually a floor with no patterns would convey...

Chessboards

The chessboard is a playground. Visually a floor with no patterns would convey the feeling of inconsistency: it could become a slippery floor, one with no reference points, no distinction between near and far, and maybe no clear divide between the sky and the earth.

The checkered floor indicates me precisely where it begins and where it ends, it also makes me recognize any of its irregularities, the lines that cross it make me be sure of bumps and holes, I feel secure on it, and I would definitely better dance with my feet on it rather than choose a one color floor.

 

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Dolls - Ophelia (art, paintings) series by Barbara Agreste