Preface

This collection gathers the principal bodies of work that have emerged from my ongoing investigation into the thresholds between visibility and obscurity, presence and absence. Each series presented here is a fragment within a wider continuum of inquiry – an attempt to grasp that which resists articulation, revealing itself only in fleeting forms, gestures, and material traces.

My paintings often arise from a meditative engagement with the image as a site of both concealment and revelation. They are not conceived merely as aesthetic objects, but as vessels through which unconscious knowledge, hidden narratives, and silent intuitions become momentarily perceptible. The repeated themes of disappearance, fragmentation, and subtle metamorphosis speak to an underlying philosophical concern: the fragile and uncertain condition of reality, and our equally fragile perception of it.

These series were developed across different periods of my practice, each marked by distinct material approaches yet sharing a connective tissue of intuitive composition and layered symbolic structures. Some works employ minimal palettes to evoke states of suspension or void, while others build dense chromatic atmospheres that echo internal landscapes, dream terrains, and mnemonic sediments.

Together, these galleries form a visual archive of an artistic journey that is at once personal and open to universal questions. What does it mean to behold an image that carries within itself a trace of what is lost or unspeakable? How can painting remain a site of critical reflection while embodying the poetic, the intimate, and the visceral all at once?

As you move through each gallery, I invite you to read these paintings as if they were fragments of an ongoing philosophical text – one written not in language, but in pigment, texture, and silent intervals of space.