{"id":29,"date":"2019-02-15T08:00:30","date_gmt":"2019-02-15T07:00:30","guid":{"rendered":"http:\/\/www.repticula.net\/BarbaraAgreste\/?page_id=29"},"modified":"2026-08-05T23:10:59","modified_gmt":"2026-08-05T23:10:59","slug":"bio-cv","status":"publish","type":"page","link":"https:\/\/www.repticula.net\/BarbaraAgreste\/bio-cv\/","title":{"rendered":"Bio &#038; CV"},"content":{"rendered":"\n<p class=\"has-text-align-right language-links wp-block-paragraph\"><a href=\"https:\/\/www.repticula.net\/BarbaraAgreste\/bio-cv-ita\">ENG<\/a>   &#8211;   <a href=\"https:\/\/www.repticula.net\/BarbaraAgreste\/bio-cv-ita\">ITA<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span style=\"color: #464646;\"><span style=\"color: #363636;\">Barbara Agreste&#8217;s Bio &amp; CV<\/span><\/span><\/h3>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #888888;\"><span style=\"color: #993366;\">Biography:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;&nbsp;&nbsp;&nbsp; <\/span><span style=\"color: #888888;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=\"color: #993366;\">&nbsp; <\/span> <\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Barbara Agreste was born in Pescara, Italy, where her passion for the arts emerged early. Encouraged by her family, she began formal training in drawing at the local art school while also pursuing classical dance and acting at a regional Academy of Performing Arts. This interdisciplinary foundation would go on to inform her multifaceted artistic practice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She later moved to Milan to study Theatrical Design at the Brera Academy of Fine Arts, before relocating to London, where she immersed herself in contemporary dance and performed professionally with the Rawhead Dance Theatre Company. The experience of live performance\u2014its immediacy, physicality, and spatial dynamics\u2014would leave a lasting imprint on her visual work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seeking to integrate her interests in image, body, and narrative, Agreste enrolled at the Kent Institute of Art &amp; Design (KIAD), where she specialized in Film &amp; Video Production. During this period, she also deepened her engagement with psychoanalysis, gender studies, philosophy, and film theory. She graduated with First Class Honours in Visual Communication, and subsequently earned a Master\u2019s degree in Fine Art from Central Saint Martins, University of the Arts London.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Agreste\u2019s body of work spans experimental film, photography, painting, and music. Her pieces are often informed by surrealism, bodily symbolism, and the subconscious, and have been exhibited internationally at galleries and film festivals. While she lives and works in London, she maintains strong ties with Italy and returns frequently.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #888888;\">Facebook page:<\/span> <strong><a title=\"The Art of Barbara Agreste\" href=\"http:\/\/www.facebook.com\/BarbaraAgresteArt\/\" target=\"_blank\" rel=\"noopener\">www.facebook.com\/BarbaraAgresteArt<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span style=\"color: #464646;\"><span style=\"color: #363636;\">Barbara Agreste&#8217;s Bio &amp; CV<\/span><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">2023\/2025:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Red Black Cards<\/em> (2025), remastered single on Bandcamp: <a href=\"https:\/\/bambeena.bandcamp.com\/track\/red-black-cards-remastered-23-april-2025\" target=\"_blank\" rel=\"noreferrer noopener\">bambeena.bandcamp.com<\/a><\/li>\n\n\n\n<li>Upcoming album of 20 tracks in final mixing stage (2025)<\/li>\n\n\n\n<li>Ongoing painting series in preparation for future exhibitions<\/li>\n\n\n\n<li>Developing a home recording studio for music production services<\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2012\/13:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">The Femail Project, <\/span>curated by Emma Leppington, ARTicle Gallery, Birmingam, UK.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">100&#215;100=900 (100 Videoartists to tell a Century) international videoart project,<\/span> UK, Iran, Russia, France, USA, Spain, Greece, Canada, Mexico, Argentina, India, China, Ukraine, Filippine, Bulgaria, Chile, Brazil, Albania, Romania, Colombia, Armenia, Hungary, Russian Federation, Germany.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Candelara Art Festival &#8211; The codes of contemporary art: between indie rock, theater, video art and readings.<\/span> Candelara Castle.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Roma3 Film Festival,<\/span> Teatro Palladium, curated by Veronica D&#8217;Auria &amp; Lino Strangis, Rome.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Inquietudine<\/span>, VideoArt online exhibition, curated by Giovanni Viceconte, www.undo.net.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">LIQUID IMAGE, VideoArt Event<\/span>, Tarii Crisurilor Museum, Oradea, Romania. Curated by Gabriela Diana Gavrilas.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">VOTE ART, Cultural Art Movement,<\/span> CAM Casoria Contemporary Art Museum, Naples\/Strasbourg.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">La Video Arte nel Mondo del Software<\/span>, curated by Giovanni Viceconte, Lino Strangis &amp; Veronica D\u2019Auria, MACRO Contemporary Art Museum of the City of Rome.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">On Videos for hours and hours<\/span>, curated by Visual Container, Boccanera Art Gallery, Trento.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Vagiti Ultimi<\/span>, curated by Daniela Martella, cisterne romane del Palazzo Ducale, Atri.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2011:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022&nbsp;<span style=\"color: #993366;\">La vie sur \u00e9cran \/ <i>The life on the screen<\/i>,&nbsp;<\/span><span style=\"color: #993366;\">&nbsp;<\/span>curated by Perry Bard, <span style=\"font-size: x-large;\"><span style=\"font-size: small;\">Joyce Yahouda Gallery, Montr\u00e9al, Canada.<\/span><\/span><\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Women&#8217;s Glance<\/span>, screening of videoart by women, curated by Enrico Tomaselli, Palazzo delle Arti, Naples.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Metamorphose<\/span>, South Haven Centre for the Arts, South Haven, curated by Melissa Warner-Talcott, Mitchigan, USA.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">A(r)T:Trazione, Poetry and VideoArt Festival<\/span>, Chiostro Palazzo di Citta&#8217;, S. Severo, Foggia.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">The Sharing of Difference<\/span>, curated by Silvia Cicoria, Palazzo Lannutti, Montesilvano Colle, Pescara.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">ALFABETOMORSO<\/span>, <span style=\"color: #993366;\">Maionese Project<\/span>, Virtual Exhibition, EnPleinAir Art-Gallery, Pinerolo, Turin.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">VIDEO IN FRAC &#8211; ViDea3 Rassegna di video art al femminile VideoCocktail II edizione<\/span>, Frac, Sala delle Conferenze e Galleria dei Frati, Baronissi (Naples).<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">CAMMovie Videoart Platform<\/span>, CAM Casoria Contemporary Art Museum, curated by Antonio Manfredi, Naples.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Arakne<\/span>, Primo Piano Living Gallery, curated by Dores Sacquegna, Lecce.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> Magmart Video Under Volcano VI edition<\/span>, in partnership with CAM &#8211; Casoria Contemporary Art Museum, and the Foundation Universal Forum of Cultures, Naples.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Language is a Virus<\/span>, Primo Piano Living Gallery, curated by Dores Sacquegna, Lecce.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2010:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">ITALIAN CONTAINER The emerging Italian video art comes to Yerevan<\/span>, curated by Carolina Lio.<br>ACCEA | Armenian Center for Contemporary Experimental Art, Yerevan, Armenia.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Art Shake Festival Berlin&#8221;<\/span>, 91mQ Art Project Space, curated by Emanuela De Notariis, Berlin.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Pixelation V.7&#8221;<\/span>, a showcase of digital media and interactive performance part of the FirstWorks Festival. Providence, Rodhe Island, USA.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Unbroken beat of soul&#8221;<\/span>, International Video Art at Laity Festival, Ex Aurum, Pescara, curated by Antonio Zimarino.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Videococktails&#8221;<\/span>, video art exhibition, f\u00ebs showroom &#8211; Minori &#8211; Costa d&#8217;Amalfi, curated by Pasquale Ruocco and Marcella Ferro.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Jamis vu&#8221;<\/span> (solo show), Rose es la Vie, Roseto degli Abruzzi, curated by Agnese Casolani.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Tracce 2010&#8221;<\/span>, 7^ Young Artists&#8217; Biennale, Castello Di Sarzano, Casina \u2013 ReggioEmilia.<\/li>\n\n\n\n<li>\u2022 &#8220;<span style=\"color: #993366;\">Art Shake Festival&#8221;<\/span>, Mondo Bizarro Gallery, Rome, curated by Emanuela De Notariis.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> &#8220;Contact-s, Luoghi dell&#8217;Arte Contemporanea&#8221;<\/span>, Liceo Artistico Giorgio de Chirico, Torre Annunziata, NAPLES. Curated by: Raffaella Barbato.<\/li>\n\n\n\n<li>\u2022 &#8220;<span style=\"color: #993366;\">31 Artisti Vs 20Mq<\/span>&#8220;, Visualcontainer.box ProjectSpace, Via Federico Confalonieri 11, Milan. Curared by: Alessandra Arn\u00f2, Giorgio Fedeli.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;RED: The Gendered Color in Frames&#8221;<\/span>, International Videoart Exhibition, curated by Evelin Stermitz, Photon Gallery, Ljubljana, Slovenia.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2009:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">Nigredo<\/span>, Ex Lavanderia, Rome. Curated by Lori Adragna, Barbara Collevecchio, Micol di Veroli.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Toys&#8230; What a pleasure<\/span>. Atelier 777 Gallery, Pescara.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Videholica 2009<\/span>, International Biennial of Visual Arts, August in Art, Archeology Museum, Varna, Bulgaria.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> Crisis<\/span>, creativity as a resort and crisis as a time of passage and change. Villa Comunale Roseto degli Abruzzi, curated by Barbara Collevecchio.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">International Video Programme<\/span>, Cepa Gallery, The Art of Photography, curated by Adriane Little &#8211; Buffalo, NY, USA.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2008:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">La Spina del Grano<\/span>, Omaggio alla figura di Vincent Van Gogh, Castello S. Michele, Cagliari. Curated by Sara Costa.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">MetaFest 2008<\/span>, Video Art Festival, Roxie Theatre, San Francisco, USA.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Sulmona Art e Cinema<\/span>, Avatars Gallery, curated by Marco Maiorano, Sulmona.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">17Days Video Series<\/span>, Richmond Center Art Galleries, Western Michigan University, curated by Adriane Little, USA<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Sardinia Art Fair<\/span>, III Edition, &#8220;Condamned to creation&#8221;, www.sardegnaartefiera.it, Castidas, Cagliari.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Videholica 08<\/span>, International Biennial of Visual Arts, August in Art, Varna City Art Gallery, Varna, Bulgaria.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> XX Edition Euromediterranean Festival<\/span>, 2Video in Altomonte, Video Art exhibition,<br>curated by Francesca di Nardo &amp; Giovanni Viceconte, Altomonte (CS).<\/li>\n\n\n\n<li>\u2022 <span id=\"result_box\" lang=\"en\"><span class=\"hps\">The Church of St.<\/span> <span class=\"hps\">John the Baptist<\/span> <span class=\"hps\">in<\/span> <span class=\"hps\">Summer Solstice<\/span><\/span>, organized by the association Italia Nostra, curated by Luigi Mincione, Penne.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> GAP<\/span>, group exhibition, Vittoria Colonna Museum of Modern Art, Pescara, Italy, curated by Claudia Civitarese in collaboration with the GAI (Circuito Giovani Artisti Italiani).<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Projecto VideoLab at the Electrochoc Video Festival<\/span>, curated by LeMatrice collective, France.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Animation: Digital Antidotes<\/span>, Looptopia: Around the Coyote Video Lounge, curated by LiveBox, www.liveboxgallery.com, Chicago, USA.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Projecto VideoLab<\/span>, www.projectovideolab.com, Semide, Portugal.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Video, Donna e Superstizione<\/span>, video-art exhibition, Spazio Wunderkammer, Cremona.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">&nbsp;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2007:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">Imago Imaginis<\/span>, group exhibition, Ortona Civic Museum, curated by Antonio Zimarino.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Trampoline Platform Event: &#8220;The surveillance City&#8221;<\/span>, Broadway Media Centre, Nottingham, UK. Founded by the Arts Council England, www.trampoline.org.uk<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Caduta&#8221;<\/span>, 2Video, undo.net, Milan. Curated by Francesca di Nardo.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Closer<\/span>, VideoArt exhibition at MID_E Festival, Arteleku Arts Centre, www.arteleku.net, San Sebastian, Spain. Curated by the Yox Collective.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Arte e Nonviolenza<\/span>, group exhibition, curated by ANTS \u2013 Artists for non violence &amp; social transformation, www.antsonweb.com. Florence.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Exposed<\/span>, Video Art from Voyeur International Video Collective, Basement Ari, Fiskars, Finland.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Videa<\/span>, Women and VideoArt, FRAC Fondo Regionale d&#8217;Arte Contemporanea, Baronissi (Salerno), curated by Claudia Gennari.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> II Young Artists&#8217; Biennale: &#8220;Along The Adriatic Line&#8221;<\/span>, Casa D&#8217;attanasio, Spoltore (PE), Curated by Antonio Zimarino.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> Web Biennial 2007<\/span>, Pavillion Six, Istanbul Contemporary Art Museum, Istambul, Turkey.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Rose&#8217;s Choice 2007<\/span>: VI Edition, M.I.D.A. International Museum of Women in Art, Scontrone (AQ), Curated by Lino Alviani.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Art Melbourne 07<\/span>, Art Fair, Royal Exhibition Building, Carlton, Australia.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Voyeur International Video Collective<\/span>, 69 Smith Street Gallery, Fitztroy, Australia.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Visuale 1.0<\/span>, MUV Music &amp; Digital Art Festival, Florence. Curated by Matteo Chini.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Her Shorts<\/span>, Women&#8217;s International Video Festival, The Hitoric Y, Tucson, Arizona, USA.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">A Corto di Donne<\/span>, Women&#8217;s Film &amp; Video Festival, III Edition, Pozzuoli, Naples.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Cyber Feminism Past Forward<\/span>, Austrian Association of Women Artists, Vienna, Austria.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Detroit&#8217;s 10th International Film &amp; Video Festival<\/span>, Museum of New Art (MONA), USA.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2006:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">bbcc Expo<\/span>, X Salon of cultural heritage and activities, Terminal Passeggeri S.p.A., Venice.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Immersione nel ROSSO<\/span>, Circolo E. Berlinguer Caff\u00e8 Culturale &#8220;Arte e Incontri&#8221;, Albano L. Rome. Curated by Serena Bianchini.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Slippage: fragilities and instabilities in the phenomena of meaning<\/span>, Net Art exhibition, UK. Curated by Nanette Wylde.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Spazi Evasi &#8217;06<\/span>, six site specific installations, Francavilla al Mare, Chieti.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Utopia<\/span>, Pescara prize for young artists, Vittoria Colonna Museum of Modern Art, Pescara.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Streaming Festival<\/span>, International Film Festival, www.streamingfestival.com, The Hague, Netherlands.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Magmart, Video Under Volcano<\/span>, International Festival of Video Art, Casoria Contemporary Art Museum, Naples.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2005:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">&#8220;Disturb.the.Peace&#8221;<\/span>, Net Art exhibition, UK. Curated by: Jess Loseby. www.d-t-p.tv<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Peam: &#8220;The 2nd One Second Video Festival&#8221;<\/span>, Spain. Curated by Respeto Total, www.respeto-total.com<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Ideeeazioni<\/span>, Ecoteca, (personal show) Pescara. Curated by Luigi Pagliarini &amp; Valentina Bernabei.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">2004:<\/span><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">The Inscriptive Ferret<\/span>, Gallery 44, Fish Island, London. Curated by Craig Martin.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">M.A. Fine Art Degree Show<\/span>, Central St. Martins College of Art &amp; Design, London, Curated by J.Greenhill.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Shundahai<\/span>, Area 10, London. Curated by Carmen Roman.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">T.B.M. Show<\/span>, Lux Cinema, London. Curated by Sophia Phoca.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color: #808080;\">&nbsp;<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Film and video work:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 2013: <span style=\"color: #993366;\">&#8220;Laces&#8221;<\/span>, 4K Film, 10 mins.<\/li>\n\n\n\n<li>\u2022 2013: <span style=\"color: #993366;\">&#8220;Pictures Book&#8221;<\/span>, 2K Film Animation, 5 mins.<\/li>\n\n\n\n<li>\u2022 2012: <span style=\"color: #993366;\">&#8220;Cyanide&#8221;<\/span>, 4K Film, 9 mins.<\/li>\n\n\n\n<li>\u2022 2008: <span style=\"color: #993366;\">&#8220;Reptilica&#8221;<\/span>, 4K Film, 6 mins.<\/li>\n\n\n\n<li>\u2022 2006: <span style=\"color: #993366;\">&#8220;Rain&#8221;<\/span>, 4K Film, 5.4 mins.<\/li>\n\n\n\n<li>\u2022 2006: <span style=\"color: #993366;\">&#8220;The Chequered Tunnel&#8221;<\/span>,&nbsp; 3D Animation 4K Film, 5.5 mins.<\/li>\n\n\n\n<li>\u2022 2005: <span style=\"color: #993366;\">&#8220;The Tower Trilogy&#8221;<\/span>, HD Video and 16 mm film, 9.1 mins.<\/li>\n\n\n\n<li>\u2022 2004: <span style=\"color: #993366;\">&#8220;35 mm Animation&#8221;<\/span>, 35 mm film animation, 10.4 mins.<\/li>\n\n\n\n<li>\u2022 2001: <span style=\"color: #993366;\">&#8220;16 mm Animation&#8221;<\/span>, 16 mm film, 16 mins.<\/li>\n\n\n\n<li>\u2022 1999: <span style=\"color: #993366;\">&#8220;Viola&#8221;<\/span>, DV Video, 30 mins.<\/li>\n\n\n\n<li>\u2022 1998: <span style=\"color: #993366;\">&#8220;Look at You&#8221;<\/span>, DV Video, 10 mins.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Collections:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">New Museum of Contemporary Art<\/span>, Rhizome New Media Artbase, rhizome.org\/art, New York, USA<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Museum of New Art (MONA)<\/span> www.detroitmona.com, 27 West 2nd St., Rochester, MI 48307 &#8211; USA<\/li>\n\n\n\n<li>\u2022<span style=\"color: #993366;\"> Casoria International Contemporary Art Museum<\/span>, Via Duca D&#8217;Aosta, Casoria, Naples, Italy<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">MOCA, Museum of Computer Art<\/span>, www.museumofcomputerart.com, Virtual Museum, Brooklyn and Prattsville, New York, USA<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">M.I.D.A. International Museum of Women in Art<\/span>, www.museoartedonna.org, Scontrone (AQ), Italy<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Collaborations:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #ff99cc;\">2009<\/span>: <span style=\"color: #993366;\">Artfem.tv<\/span>, The Feminist art project: Recognising the aesthetic and intellectual impact of women in the visual arts and culture. Vienna, Austria.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #ff99cc;\">2009<\/span>: <span style=\"color: #993366;\">Souvenirs from the earth<\/span>, Art TV channel, Cologne, Germany, www.souvenirsfromearth.tv<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #ff99cc;\">2008<\/span>: <span style=\"color: #993366;\">Collaboration with MTV<\/span>, &#8220;The Chequered Tunnel&#8221; licensed and screened on QOOB TV, Feb 2008.<\/li>\n\n\n\n<li>\u2022<span style=\"color: #ff99cc;\"> 2005<\/span>: <span style=\"color: #993366;\">&#8220;Atlantropa&#8221;<\/span>, A film by Michel Morales and Harald Rauser, Miromar Entertainment AG, Ludwigsburg, Germany. Role: Italian newsreel voice.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #ff99cc;\">2002<\/span>:<span style=\"color: #993366;\"> &#8220;Viaggio nei centri storici&#8221;<\/span> a film by Luca Krstic, Produced by Ionia film Krstic. Role: shots of paintings under water.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #993366;\">Bibliography:<\/span><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Catalogues:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">100&#215;100=900, 1oo Videoartists to tell a Century<\/span>, curated by Enrico Tomaselli.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Arakne<\/span>, Primo Piano Living Gallery, Lecce, curated by Dores Sacquegna.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Language is a Virus<\/span>, Primo Piano Living Gallery, Lecce, curated by Dores Sacquegna.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Tracce 2010, 7^ Joung Artists Biennale<\/span>, curated by Effetto Notte cultural association, 2010.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Contact-S, Luoghi dell&#8217;Arte Contemporanea<\/span>, curated by Raffaella Barbato. 2010.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Nigredo<\/span>, Curated by Lori Adragna, Barbara Collevecchio, Micol di Veroli. 2009, Pietro Negri Publisher.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">2Video ad Altomonte<\/span>, curated by Francesca Di Nardo &amp; Giovanni Viceconte, August 2008.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">GAP<\/span>, group exhibition, curated by Claudia Civitarese, June 2008.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Imago Imaginis<\/span> (<span style=\"color: #993366;\">L&#8217;Immagine dell&#8217;Immagine<\/span>), curated by Antonio Zimarino, April 2008, Ianieri Publisher.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">New Media Design Book<\/span>, curated by Alberto Cecchi, April 2008, Sometti Publisher.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Videa<\/span>, Womens VideoArt, curated by Claudia Gennari, Frac Baronissi, Sa, 2007.<\/li>\n\n\n\n<li>\u2022&nbsp;<span style=\"color: #993366;\">Spoltorensamble: Along the adriatic Line<\/span>, <span style=\"color: #993366;\">nine points on an infinite line<\/span>, curated by Antonio Zimarino Spoltore (PE) 11 \u2013 21 August 2007. Page 4.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Spazi Evasi 07: Re-Use<\/span>, Francavilla al Mare (CH) 21 July 4 August 2007, page 7.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Rose&#8217;s Choice, VI Edizione: Streghe e altre donne<\/span>, Scontrone (AQ), July 2007, page 10<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">A Corto di Donne, Women&#8217;s Flim &amp; Video Festival<\/span> catalogue, June 2007 Pozzuoli (NA)<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Utopia&#8221; catalogue, &#8220;Pescara Prize for young artists<\/span>, May 2006, pages: 11, 12, 13.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Spazi Evasi &#8217;06 competition,<span style=\"color: #999999;\"> site specific installations <\/span><\/span>catalogue, Francavilla al Mare, 14\/29 July 2006, page 8.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">MA Fine Art Degree Show 2004 Catalogue<\/span>, Central St. Martins College of Art &amp; Design, September 2004, page 61.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Reviews:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 Claudia Quintieri, <span style=\"color: #993366;\">Il video della settimana: In Reptilica i simboli di Barbara Agreste<\/span>, INSIDE ART MAGAZINE, April 2012.<\/li>\n\n\n\n<li>\u2022 <span style=\"color: #993366;\">Barbara Agreste<\/span>. Sphera Medical Journal, curated by Lucy Curro&#8217;, www.spheramedicaljournal.it, January 2012.<\/li>\n\n\n\n<li>\u2022 Ilaria Paluzzi, <span style=\"color: #993366;\">Da Londra a Roseto portando un mazzo di &#8220;Spine Flowers&#8221;<\/span>, www.lacittaquotidiano.it, 2010, page 13.<\/li>\n\n\n\n<li>\u2022 Barbara Collevecchio, <span style=\"color: #993366;\">Nigredo: La piccola morte eroica<\/span>. Art a part of culture magazine, 2009.<\/li>\n\n\n\n<li>\u2022 Nadia Lazzarini, <span style=\"color: #993366;\">InCamera &#8211; Un confronto necessario<\/span>, Con-fine magazine, n. 13 march 2009, page 30.<\/li>\n\n\n\n<li>\u2022 Nadia Lazzarini, <span style=\"color: #993366;\">InCamera \u2013 Un vestito di fiori<\/span>, Niente da mettermi oggi, Con-fine magazine, n. 12 December 2008, page 27.<\/li>\n\n\n\n<li>\u2022 Fabio Villas,<span style=\"color: #993366;\"> interview to Barbara Agreste<\/span>, Artist ShowDown &#8211; Contemporary Artist Database, 2008.<\/li>\n\n\n\n<li>\u2022 Claudia Quintieri,<span style=\"color: #993366;\"> interview to Barbara Agreste<\/span>, Sof\u00e0 Magazine, trimestrale dei sensi nell&#8217;Arte, 2008.<\/li>\n\n\n\n<li>\u2022 Valeria Silvestri, interview to Barbara Agreste, Donne Arte e Scienza Blog, 2007.<\/li>\n\n\n\n<li>\u2022 Onintza Enbeita, <span style=\"color: #993366;\">interview to Barbara Agreste<\/span>, Matraka newspaper, Basque country, november 2007.<\/li>\n\n\n\n<li>\u2022 Serena Bianchini &#8220;<span style=\"color: #993366;\">Immersione nel ROSSO<\/span>&#8220;, text published online at the URL: serenart.ilcannocchiale.it<\/li>\n\n\n\n<li>\u2022 Eliza Fernbach &#8220;<span style=\"color: #993366;\">Disturb The Peace (Angry Women)<\/span>&#8221; Furtherfield review, furtherfield.org \u2013 section: Projects.<\/li>\n\n\n\n<li>\u2022 &#8220;<span style=\"color: #993366;\">Spazi Evasi 2006<\/span>&#8220;, Segno Magazine, issue 209, July\/October 2006, page 90.<\/li>\n\n\n\n<li>\u2022 Yasser Rashid &#8220;<span style=\"color: #993366;\">Slippage<\/span>&#8220;, Furtherfield review, furtherfield.org \u2013 page: Projects.<\/li>\n\n\n\n<li>\u2022 &#8220;<span style=\"color: #993366;\">Il Premio Michetti slitta al 29 luglio, selezionate le opere vincitrici del concorso artistico organizzato dall&#8217;associazione La.Li.P\u00e8<\/span>&#8220;,<br>newspaper Il Centro, 5 July 2006, page: VIII.<\/li>\n\n\n\n<li>\u2022 &#8220;<span style=\"color: #993366;\">Formiche<\/span>&#8220;, critical text by G. C., pubblished online at the URL: www.repticula.net\/docs\/formiche.pdf<\/li>\n\n\n\n<li>\u2022 Rai International, Italica I-Web Magazine, <span style=\"color: #993366;\">review and interview<\/span>, March 2006.<\/li>\n\n\n\n<li>\u2022 Giulia Ribes, <span style=\"color: #993366;\">Peam: L&#8217;uomo, la macchina e l&#8217;arte<\/span>, Zac magazine, December 2005, page 59.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Written material:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022 <span style=\"color: #993366;\">Barbara Agreste&#8217;s Diaries<\/span>, published online at the URL: https:\/\/www.repticula.net\/BarbaraAgreste<\/li>\n\n\n\n<li>\u2022 Barbara Agreste, <span style=\"color: #993366;\">&#8220;The 15th of January concluded the XVI edition of the art exhibition curated by Agnes Kohlmeyer&#8221;<\/span>, Zac magazine, January 2006, page 52.<\/li>\n\n\n\n<li>\u2022 Barbara Agreste, <span style=\"color: #993366;\">&#8220;The spectacle of Hysteria&#8221;<\/span>, text published online at the URL: www.repticula.net\/myphotos\/Hysteria.pdf<\/li>\n\n\n\n<li>\u2022 Barbara Agreste,<span style=\"color: #993366;\"> &#8220;Il rosso e il Ghiaccio&#8221;<\/span>, Zac magazine, Sept. 2005, page 46.<\/li>\n\n\n\n<li>\u2022 Barbara Agreste, <span style=\"color: #993366;\">&#8220;Il vuoto al centro di Montesilvano&#8221;<\/span>, Zac magazine, Oct. 2006, pp.: 50-51.<\/li>\n\n\n\n<li>\u2022 Barbara Agreste, <span style=\"color: #993366;\">&#8220;L&#8217;aurea di Stella a Pescara&#8221;<\/span>, Zac magazine, Nov\/Dec 2006, pp.: 60-61.<\/li>\n\n\n\n<li>\u2022 Barbara Agreste,<span style=\"color: #993366;\"> &#8220;Claudio di Carlo: oltre il fetish&#8221;<\/span>, Zac magazine, February 2007.<\/li>\n\n\n\n<li>\u2022 Barbara Agreste, <span style=\"color: #993366;\">&#8220;Annunciaz. in metropolitana, tra aktionismo e body-art, l&#8217;ultimo libro di Chiara Cretella&#8221;<\/span>, Zac n. 4, May 2007.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span style=\"color: #808080;\">Education:<\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u2022&nbsp; <span style=\"color: #993366;\">Master of Arts<\/span>, Fine Art, Central Saint Martins College of Art &amp; Design, London, UK.<\/li>\n\n\n\n<li>\u2022&nbsp; <span style=\"color: #993366;\">Bachelor of Arts<\/span> (with First Class Honours), Visual Communication, Kent Institute of Art &amp; Design,   University of Kent at Canterbury, Maidstone, UK.<\/li>\n\n\n\n<li>\u2022\u00a0 <span style=\"color: #993366;\">Bachelor of Arts<\/span>, Music, Entertainment &amp; Fashion, DAMS University, Teramo, Italy.<\/li>\n\n\n\n<li>\u2022&nbsp; <span style=\"color: #993366;\">BTEC Diploma<\/span>, Foundation Studies in Art &amp; Design, Kensington &amp; Chelsea College, London, UK.<\/li>\n\n\n\n<li>\u2022&nbsp; <span style=\"color: #993366;\">Diploma, Liceo Artistico<\/span> &#8220;G. Misticoni&#8221; &#8211; Pescara, Italy.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><span style=\"color: #000000;\"><\/span><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><span style=\"color: #000000;\">&#8230;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ENG &#8211; ITA Barbara Agreste&#8217;s Bio &amp; CV Biography:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Barbara Agreste was born in Pescara, Italy, where her passion for the arts emerged early. Encouraged by her family, she began formal training in drawing at the local art school while also pursuing classical dance and acting at a regional Academy of Performing Arts. This [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-onecolumn.php","meta":{"footnotes":""},"class_list":["post-29","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/pages\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":5,"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":8236,"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/pages\/29\/revisions\/8236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/media\/38"}],"wp:attachment":[{"href":"https:\/\/www.repticula.net\/BarbaraAgreste\/wp-json\/wp\/v2\/media?parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}